Wes Anderson has a problem. While he spent the early part of his career creating quirky films with a distinctive style, and becoming a charmed director, he has spent over six years dealing with the fall out of that distinction, and an audience that has begun to turn away from his films because, well, they're so "Wes Anderson-y". The man can't help it. He has a vision, and it just so happens that all of his visions contain the same basic elements. While his new film, Moonrise Kingdom, doesn't stray from the directors trademark style, it does it in such a way that the style seems more fresh, somehow. Whereas his previous live action offering, The Darjeeling Limited, felt like a tired retread, Moonrise Kingdom, about two pre-teens who run away and lead a whole island on a chase after them, feels like somehow fresh blood has been injected into the Anderson machine, and he's got a second wind. The film had me laughing the whole time, and it's two young leads - Jared Gilman as Sam, and Kara Hayward as Suzy - had me rooting for them until the very end.
Moonrise Kingdom has Wes Anderson back in style, and it is good to have him back.
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