Comments on watching and making films.

Showing posts with label Shea Wigham. Show all posts
Showing posts with label Shea Wigham. Show all posts

Sunday, November 25, 2012

Silver Linings Playbook

To be perfectly honest, if this film would not have been directed by David O. Russell, I would have never gone to it. Early trailers made it look like stereotypical romantic comedy fodder, but, later trailers, and the knowledge of Russell as director, changed my mind.

Silver Linings Playbook is the story of Pat (Bradley Cooper), a man who has just been pulled out of the state mental hospital by his mother, to come home and be with his family again. Pat has had a difficult past, mainly stemming from his bi-polar disorder, but feels positive about where he is. So positive, in fact, that he hopes to win over his estranged wife Nikki. He meets Tiffany (Jennifer Lawrence) at a dinner, and enlists her help to try and get Nikki back, although she's clearly in love with him. She has emotional problems, as well, stemming from the sudden death of her husband. Together, the two make a life conquering, dysfunctional team, that attempt to get things back to some semblance of happiness for each other.

Cooper is pretty good in this film, and goes to further prove, he's not just the guy from The Hangover. Jennifer Lawrence is at her crazy/sexy best. Robert DeNiro and Jacki Weaver play Pat's mother and father, and are fantastic. The biggest surprise here, though, was Chris Tucker as Danny, Pat's friend from the mental institute. Tucker actually gets to act here, as opposed to being Rush Hour Chris Tucker, and he does a really good job. Hoping to see him in more stuff soon.

This film was better than I expected. It was fun, meaningful, and I think David O. Russell is hitting that Soderbergh stride of being able to produce amazing independent style films, and larger budget Hollywood fare.

Wednesday, November 16, 2011

Take Shelter

Jeff Nichols feels like the David Gordon Green career we should have gotten after Snow Angels (instead of the decent into mediocrity that have been his follow ups). His debut feature, Shotgun Stories, was a slow burning, southern gothic, "family" film along the lines of Green's Undertow. His follow up, Take Shelter, reunites him with Shotgun Stories star Michael Shannon, and gives Nichols the chance to create something with all of the environment and feel of his debut, but to have a much more reserved and psychological approach to it.

Take Shelter stars Shannon as Curtis, a joe-average guy who begins to have apocalyptic visions, much to the concern of his wife, Samantha (played by Jessica Chastain), who begins to worry about him when he starts acting strange. Feeling a necessity to finish out an underground storm shelter in their backyard, Curtis devotes himself to the task, risking friendships, his job, and possibly his family. The big question, though, is this - Is Curtis crazy? or is he seeing something that no one else see's?

Take Shelter is, like Shotgun Stories, a bit of a slow burner, but once you start seeing what Curtis is seeing, the movie starts to find its steam. The film really draws you into the experience of this man, who feels so strongly about what he's experiencing, that he takes severe action to save his family. One can't help but see the biblical Noah story as a parallel. While God doesn't tell Curtis to do something (he is influenced by his dreams and visions), you see the effects of a man who has a singular, seemingly insane, mission that he undertakes.

Michael Shannon is awesome, as usual. You can't beat that dude. Chastain kills it too, with a subtlety and plainness that draws out the middle America in her. Shea Wigham, who plays Curtis's friend, has some really great moments too.

Take Shelter was really enjoyable, and I'm looking forward to seeing where Nichols career goes.