Wall Street 2 - Money Never Sleeps

Sequels that are made just for money often times end up being slap dash and horrible. Fortunately, at least in my opinion, Wall Street 2 - Money Never Sleeps, was not made for money, but rather to continue the same themes but put into the context of the current financial climate. The first film was about pure greed and the way that it was affecting normal people. This film is about the same kinds of greed, except, instead of affecting the employees of a small airline company, this Wall Street disaster effects the entire economy of the United States, as well as the lives of its protagonist's, soon to be married Jake and Winnie (played by Shia LeBouf and Carrie Mulligan).

Gordon Gecko (Michael Douglas reprising his role from the first film) has just gotten out of prison and is looking to rebuild his empire. When Jake Moore, a hungry, but successful Wall Street wiz kid's firm begins to meltdown during the housing crisis of 2008, he looks to Gecko to be a mentor and tries to reunite Winnie, who just so happens to be Gecko's daughter, with Gordon, in exchange for the chance to be Gecko's right hand. Gecko, however, always has a few tricks up his sleeve, and, while he loves Winnie, he knows that gaining her forgiveness and trust back is almost impossible. Money, however, even in times of panic and insolvency, can always be made. You just have to know who's backs to step on.

I'm not an Oliver Stone fan. I don't care for most of his work, but I did love the original Wall Street. I had high hopes for this one, and, while it didn't quite hit the same mark as the original, it was still a great film. Douglas is as slimy as ever, and LeBouf finally found a great fit in the fast talking, fast thinking Jake. Carrie Mulligan feels criminally underused in this film. I would really liked to have seen more with her, but, you get what you get. Josh Brolin, as a take no prisoners banking executive, brought on the pain, and played the type of role he's best at - the relentless bully. The film will leave you thinking about the current financial climate (at least, as of 2010), and will hopefully, in coming years, leave audiences to think about, and question, the way that they do business with banks and investment firms, and making sure that they are really paying attention to what they are doing with their money and with their signatures.

Frost/Nixon

I had reservations about going to see Frost/Nixon. I wondered whether or not the film would hold my interest, seeing as how it has to do with a subject that always felt, to me, like it would be more important to those that lived through it, than to those of us that were not even born when these events were happening. It has been getting raves, though, and I thought I'd give it a shot. I went to a VERY early show, expecting few if any people to be there, but was, instead, greeted by a throng of movie goers, all of whom were probably twenty to thirty years older than I was, and would have at least been kids when these events happened, if not young adults.

Frost/Nixon is the very simple story of David Frost, a British TV personality, and his quest to get an interview with the newly out of office President Nixon, who was forced to resign to avoid impeachment because of the Watergate scandal. It follows Michael Sheen (who played Tony Blair in The Queen), as David Frost, and Frank Langella as Nixon (reprising his role from the stage play that this film was based on). The two square off, with Nixon seeing Frost as an adversary, an opponent to be fought and to conquer, and Frost seeing Nixon as his ticket to a journalistic gold mine (even if it costs him everything).

Ron Howard directs the film that, as I said earlier, was based on a stage play of the same name. The film is masterfully put together, feeling like the 1970's every bit of the way. Langella is perfect as Nixon and Michael Sheen shines as the excited, but crumbling Frost, whose world is coming together and falling apart at the same time. Fantastic supporting roles by Oliver Platt, Kevin Bacon, and Sam Rockwell, make Frost/Nixon into a film that seems like it is the final word on the events that happened during that bleak time in American history when this country's people were no longer sure if they could trust the presidency, and that is really where Frost/Nixon's genius lies - It's a film about an event that took place some thirty odd years ago, yet the parallels between Nixon's administration and George W. Bush's administration are worn, tastefully, on the sleeve of this film. The boiling point is, of course, when Nixon is challenged by Frost in the last part of his interview about the President doing things that are illegal, and Nixon retorts to Frost "What I'm saying is, if the President does it, that means it is not illegal". Wow... Howard hit the nail of our last president right on the head.