The film centers around newcomer Alden Ehrenreich, who plays Bennie. Bennie shows up on leave in Buenos Aries, searching for his brother Tetro, played by Vincent Gallo. Tetro disappeared some years ago, and promised Bennie that he would be back, but never came. Bennie finds out Tetro has written parts and pieces of a novel, and Bennie decides to steal the pieces and make them into a play, for which he wins top honors. Tetro is hiding a deep, dark secret, though, one which could be a huge threat to Bennie.
Coppola's Tetro is his first original screenplay since The Conversation, and thirty years is a long time. Tetro sometimes feels long winded, and way to thought out, but Coppola manages to always keep the film interesting. Gallo does a great job as the title character, as well as Meribel Verdu, as Tetro's wife, Miranda. Unlike Mann's Public Enemies, Coppola uses HD to a fair amount of success in the film, shooting most of it in black and white, with flashback moments in color. The whole film feels like a (very expensive) experiment in visual style and storytelling, but one that, I can honestly say, I'm glad exists. Tetro is worth a watch, even if its just to say you've seen it.