Crazy Heart

There's an old saying that goes - "There are no new stories". Basically, what that means is, its not the originality of the story, its what mark you put on it. As far as movies go, and movies about country music in particular, the idea of the weathered old musician, lost in a haze of alcohol, or drugs, or both, who gets a second chance, is not exactly new. But, its what you put into it. Scott Cooper brings a certain majesty and glory to this story in his new film Crazy Heart.

Crazy Heart stars Jeff Bridges as Bad Blake, a country western musician from another time of country stars like Waylon Jennings and George Jones. He has seen his career peak, many years ago, and is now broke and forced into doing shows in bars and bowling alleys. When he meets Jean, a young reporter played by Maggie Gyllenhaal, he see's a light at the end of the tunnel he has dug himself into. But can he see his way free from all of the things that made him Bad Blake in the first place?

Crazy Heart is an amazing and beautiful journey through the life and pain of Bad Blake, who is exquisitely played by Jeff Bridges. Bridges proves, yet again, that he is one of our best living actors. He isn't afraid to show all of the embarrassing aspects of Blake's life, including waking up in his underwear from being drunk the night before, running into the toilet, puking, and passing out on the floor. Bridges plays this role no holds barred - he is sweaty, bumbling, and old. He is fragile. He is broken. Gyllenhaal plays a woman who is absolutely willing to let her heart be broken again, but, when it is, she steps back, like a wounded animal, staying as far away from that which has hurt her as she can. Colin Farrell is a bit of a surprise as a New-Country star who's fortune and fame was built on song's Bad Blake wrote for him, and Robert Duvall shines as one of Blake's friends. This film is really great. I feel like every step that was taken here was just right, and the soundtrack overseen by T Bone Burnett is perfect. Well worth seeing.

The Road

Cormac McCarthy is one of those novelist's that filmmakers read their books and ache to turn them into films. Why it has taken so long for this to happen, I have no idea. Many years ago, we got All The Pretty Horses, which I never got to see (but my ex-coworker and friend Steve Crawford was in, as a body double for Matt Damon). It seems to be relatively hard to find on DVD these days, so, who knows when I will get to see it. The next one came MANY years later, in the form of the Coen Brother's fantastic adaptation of No Country For Old Men. Now, with Blood Meridian SUPPOSEDLY on the horizon (though I wouldn't count on it), we've got another McCarthy adaptation in our laps, The Road, and I got a chance to see a sneak preview of it at the American Cinematheque in LA.

The film revolves around a father, played by Viggo Mortensen, and his son, played by Kodi Smit-McPhee, and their mission to make it south of where ever it is they are, down to "the coast". There really isn't any geography given in this film, so, its hard to tell exactly where they come from and where they're going, except for vague references. The Man (Mortensen) knows that, in this post apocalyptic world they are living in, where the trees, animals, and crops are all dead, he must protect his son at all costs from marauding gangs and cannibals. For all he knows, the two of them may be some of the very few surviving humans left, and they must keep the compassion of humanity alive at all costs, even when it means showing none.

Mortensen and Smit-McPhee are in, literally EVERY scene of this film, so, by the time its over, you feel like you've gotten to know their characters inside out. The film is undeniably bleak, with every hint of good that happens in these two's lives balanced by a heaping pile of horror. One scene, in the basement of a house, is especially horrifying (I won't spoil it for you). John Hillcoat, who directed the Neo-Western The Proposition, brings a masterful hand to the film and creates a world that cuts to the audiences very core. With the recent collapse of Wall Street, and mounting environmental problems, one is hard pressed to not leave the theater without wondering if, in five years or ten years or tomorrow, they could be one of the last humans alive, and walking down that same road.

Four Christmases

Vince Vaughn pretty much plays the same kind of guy in every comedy he's in, but, I don't care. He's hilarious, and he definitely doesn't disappoint in Four Christmases. Seth Gordon's comedy about a couple seeking to avoid the pitfalls of marriage, and dealing with their "crazy" family's, is one romcom that I could not stop laughing and enjoying from start to finish.

Reese Witherspoon plays Kate, and Vince Vaughn plays Brad. The two are inseperably in love, but believe that getting married will bring on all kinds of bad mojo into their relationship. They have a tradition of skipping out on their families each year (both come from divorced homes), and telling their relatives they are going on some kind of humanitarian mission, while secretly going to some sort of island paradise. When the fog in their home town of San Francisco keeps them grounded, and their family's see them on the news, they're cover is blown, and they get sucked into attending a Christmas with each mom and dad. As the day goes on, they face some of the most hilarious family situations they can, and end up questioning their relationship.

Four Christmases is a hilarious look at family, tradition, and the sacrifices that we make for each other. It's a movie that say's, in a subtle and funny way, that we all end up look like idiots sometimes, do embarrassing things sometimes, do mean things sometimes, but it is our love for each other that brings us through. Vaughn delivers non-stop hilarity, as always, and, for the first time in as long as I can remember, I really liked Reese Witherspoon. She's usually in throw away movies that I could care less about, but she held her own here, and I am looking forward to see her in higher caliber stuff.