Comments on watching and making films.

Showing posts with label Bryan Poyser. Show all posts
Showing posts with label Bryan Poyser. Show all posts

Monday, October 6, 2008

Updates - 100608

Well, obviously there's a lot of new reviews up. I went from having barely anything in September, and nothing for October, to having 11 posts for October in one day. It's because I'm sick. All I can really do today is sit around anyway, so, why not play a little catch up?

Shooting on Daisy Chain went as well as could be expected. We could have used more equipment, and more time, but, when do you ever have what you need on a no budget or low budget shoot? Tim, the guy who ran the B camera, should be starting to edit in the next few weeks. It feels very strange, because, even though I wrote the film, directed it, and ran one of the two XL2's that we shot it with, the film is still not really mine, it's the groups. As such, I felt the need to relinquish some of the responsibility (or in this case, process) to someone else. It would be in poor taste for me to do everything, when there are other people in the group who want to be a bigger part of making this film than just lugging around lights or being set monkey's. 

I know I keep saying this, but I'm going to get the ball rolling on some of my own stuff. I'm getting more and more desperate to get some short films and spec stuff shot so that I can show people I CAN do something.

Bryan Poyser, of the Austin Film Society, sent me the comments on my grant application. I'm thinking about posting them here, though I haven't decided whether I will or not. I agree with some of what they said, though not with all of it. I feel like posting it, with my responses back to their comments, might be worthwhile, though I'm not sure if I want to have it up on the internet for everyone to see. The Definers is a very personal project, so, I feel like I need to be ready to post any outside criticism of said project.

I'm really excited about the possibilities of Canon's new 5DMkII - 1080p video capture (though it only shoots 30fps right now), and interchangeable lenses.

That is all, for now.

Friday, May 23, 2008

Getting over one hump just means there's a downhill before the next climb.

I know what you're thinking - "He's done. He's not keeping up with the blog anymore."

No, just been REALLY busy with the AFS stuff. Sent off my "rough draft" yesterday to Bryan Poyser @ AFS, to look over. So, for the next couple of days, I get top play catch up with all of the things that I didn't get to do because I was working on the grant application (which includes blogging some older movie reviews I wanted to do, but didn't have the time for).

Also, you'll notice in the bottom left corner of the screen, I am now on Twitter, so you can follow my progress on my films, and in my life (though my life is relatively average, so, don't be complaining when there's posts like - "Eating" or "Working").

Anyways, going to see the new Indiana Jones movie later this afternoon. I'll write a review as soon as I get home. Kind of sucks, though. I wish I got to go to early press screenings like a professional blogger, so I could have my review up before the movie comes out. Oh well, maybe I'll get lucky one day, and Cinematical will call me up and hire me... (that's a hint, in case anyone from Cinematical happens to be reading this).

Monday, April 21, 2008

Wishing and Hoping

So, current news on The Definers is this - I attended a meeting the other day to go over the grant application that I will be turning in at the beginning of June (it seems so far away, but, I know it's gonna sneak up on me). Bryan Poyser, of the Austin Film Society, hosted it, and it was basically just a chance to look at the application, go over the rules and requirements, and ask any questions one might have.

Also, I had sent Greta Gerwig a copy of the script a few weeks ago, but I think she lost it, because she asked me to re-send it to her. She will be in the process of reading it, soon, and deciding if it is something she would be interested in doing. If she did, that would be SO AMAZING. I think she would bring the perfect mix of subtlety, ferocity, angst, loneliness, and confusion that the role of the Sister demands.

When I had originally envisioned the film, I saw Katee Sackhoff in the role of the Sister, but I think Greta might be able to better bring to this character some of the paradoxical nature that the Sister needs. So, here's hoping she likes the script, and we can work it out. The only thing I need now is MONEY, MONEY, MONEY!


Greta Gerwig